Han Yang, Winner of the GSPA 2024 Prize for Constructed Photography, Single image: Asian Body, China/London, 2023.

What is your connection to China?

The Artist, Han Yang, GSPA 2024 Prize Winner of Constructed Photography, Single image

Growing up in the rural heartlands of China, I developed a profound understanding of its cultural tapestry. As my memory intertwined with imagery, China’s landscapes and calligraphy left an indelible mark on me. The essence of diligence, courage, and wisdom inherent in the Chinese heritage courses through my veins, manifesting in every detail of my creations. Embodying traits emblematic of traditional Chinese femininity—resilience, fortitude, and independence—I was instilled with Chairman Mao’s aphorism from an early age: “Women hold up half the sky.” This dictum became ingrained in my consciousness, influencing my endeavours in work, life, and art.

As a Chinese woman, I believe in the responsibility to excel in our respective fields. Despite not fully comprehending the romanticism, political ideals, and aspirations embedded in classical Chinese poetry during childhood, I later discovered profound wisdom concealed within their verses. The enduring impact of China’s traditional culture propelled me to pursue my aspirations abroad, navigating some of life’s most arduous trials. Yet, the cultural bedrock of China continues to inspire me to confront challenges with bravery and optimism.

Realizing my ability to express elements of Chinese culture through my art, I consciously began capturing imagery infused with Eastern aesthetics. Each creation serves as a testament to my deep-rooted connection to China and its enduring influence on my artistic journey.

What aspects of your family culture do you relate to?

Sushi, winning image from the project Human Body

I grew up in an environment where I was exposed to photography; my parents were photographers, and cameras were the most common tools in my daily life. But after I graduated from university, I never thought I would become a photographer one day. It was only when everything was on a stable track that an idea suddenly came to me that changed the direction. From then on I was determined to live my life meaningfully. So, I started to work as a photographer. Rather than me choosing photography, it chose me. Like painting, it can silently express my inner emotions. I think this would come from the fact that this medium has the ability to present the mystery of the depths of desire and resonate with people.

My father has had a significant influence on me in my career. He has a special love for Chinese bird and flower paintings and landscapes. Ancient Chinese literati loved to reflect their political aspirations through their landscapes. This may have had a potential influence on me, so that many of my works also have a lot of natural elements, such as flowers and birds. For the relationship between human beings and nature, trying to express my feelings about life and nature through my works, these sources of inspiration are consistent in my mind. I have always believed that nature and human beings have an intimate link, not only about the living space and interdependence but also a philosophical relationship with a strong power of perception and ecology from within. Those invisible corners, like the stories behind some of the images, may not be known, but they can attract you to stop by.

Sea Wave

How has your heritage informed or impacted your photographic work?

Influenced by Chinese heritage, I draw upon the ancient principles of Yin and Yang, using circles to express the fluidity of motion and continual change while squares represent the stability of a grounding force. My photos are visceral in their minimalist style, playful, highly sensory, and nuanced. Through my camera lens, I explore the worlds inside the audience with a romantic perspective, producing imagery that is vividly colourful and buoyantly light even when the subject matter feels heavy.

In ancient China, the saying was ‘sky is round, ground is square.’ It is an ancient scientific understanding of the universe and also implies the philosophical concept of ‘the unity of nature and humans.’ Since everything moves from nothing to something, which has a close relationship between the universe and energy changes, the ancients believed in ‘Tian Ren Unity’ to comply with the ever-changing rules of nature. Throughout the natural world, all round objects have the characteristics of good movement and instability, just like the round sun and moon in general. But square objects have the characteristics of being static and stable, like the ground. In traditional Chinese culture, the philosophy of YIN and YANG is the core and essence of Chinese culture. Movement is Yang, and stillness is Yin. Therefore, the dynamic ” Round ” symbolises Yang, representing positive, active matters. The static “square” symbolises Yin, representing negative and passive matters. I hope to convey the concept of “the unity of nature and humans” in my work, representing the Chinese culture’s way of understanding people and self-identity and knowing the world. This is why you often see round or square objects in my scene settings.

Do you plan to develop your work relating to China or your Chinese heritage?

Sushi2

Yes, I definitely intend to continue developing my work in relation to China and my Chinese heritage. My upbringing and cultural background have always been integral to my artistic expression, and I see immense value in further exploring and celebrating these influences in my creations. Whether through photography, storytelling, or other forms of artistic expression, I aim to delve deeper into the rich tapestry of Chinese culture, history, and traditions. By doing so, I not only honour my roots but also contribute to the ongoing dialogue between cultures and foster greater understanding and appreciation for China’s diverse heritage.

Please tell us about your process in creating the work and things you have learned along the way! We are excited for you to tell your story!

Sushi SeaWave

My creative process is deeply intertwined with my personal journey and the exploration of my Chinese heritage. Each piece of artwork I produce is a reflection of my experiences, emotions, and the cultural influences that have shaped me.

Throughout my creative journey, I’ve learned the importance of authenticity and storytelling. I strive to imbue my work with genuine narratives that resonate with viewers on a profound level. Whether I’m capturing the beauty of a Chinese woman or portraying the resilience of the human spirit, I aim to evoke emotions and spark contemplation.

>Moreover, I’ve come to appreciate the power of symbolism and metaphor in my artistic expression. Drawing inspiration from traditional Chinese symbolism and mythology, I infuse layers of meaning into my work, inviting viewers to explore themes of identity, heritage, and the universal human experience.

Another aspect of my creative process involves continuous learning and exploration. I’m constantly seeking new techniques, perspectives, and inspirations to enhance my craft. Whether it’s studying classical Chinese art forms or experimenting with innovative digital tools, I embrace every opportunity to expand my artistic repertoire and push the boundaries of creativity.

Ultimately, my journey as an artist is a lifelong pursuit of self-discovery, cultural exploration, and creative expression. Through my work, I hope to bridge cultural divides, foster dialogue, and contribute to a greater appreciation of the beauty and complexity of Chinese culture.

Womb

Womb2